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Simon Russell Beale On Cassius Shakespeare On Stage

 
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MessagePosté le: Lun 3 Juil - 19:35 (2017)    Sujet du message: Simon Russell Beale On Cassius Shakespeare On Stage Répondre en citant


Simon Russell Beale on Cassius (Shakespeare On Stage)
by Simon Russell Beale
rating: ( reviews)


>>>DOWNLOAD BOOK Simon Russell Beale on Cassius (Shakespeare On Stage)
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Simon Russell Beale discusses playing Cassius in Shakespeare's <em>Julius Caesar</em> in this ebook taken from <em>Shakespeare On Stage: Volume 2 - Twelve Leading Actors on Twelve Key Roles</em>.



In each volume of the <em>Shakespeare On Stage</em> series, a leading actor takes us behind the scenes of a landmark Shakespearean production, recreating in detail their memorable performance in a major role. They leads us through the choices they made in rehearsal, and how the character works in performance, shedding new light on some of the most challenging roles in the canon. The result is a series of individual masterclasses that will be invaluable for other actors and directors, as well as students of Shakespeare &amp;#8211; and fascinating for audiences of the plays.



In this volume, Simon Russell Beale discusses playing Cassius in Deborah Warner's modern-dress <em>Julius Caesar</em> at the Barbican Theatre, London, in 2005.



This interview, together with the others in the series (with actors such as Alan Rickman, Ian McKellen, Patrick Stewart and Harriet Walter), is also available in the collection <em>Shakespeare On Stage: Volume 2 - Twelve Leading Actors on Twelve Key Roles</em> by Julian Curry, with a foreword by Nicholas Hytner.



Details:
rank:
price:
bound: 38 pages
publisher: Nick Hern Books (April 27, 2017)
lang: English
asin: B0727QVLGZ
isbn:
weight:
filesize: 2284 KB




Simon Russell Beale on Cassius (Shakespeare On Stage) free macbook read





The Guardian back to top home UK world sport football opinion culture selected business lifestyle fashion environment tech travel all sections close home UK education media society law scotland wales northern ireland world europe US americas asia australia africa middle east cities development sport football cricket rugby union F1 tennis golf cycling boxing racing rugby league football live scores tables competitions results fixtures clubs opinion columnists letters editorials culture selected film tv & radio music games books art & design stage selected classical business economics banking retail markets eurozone lifestyle food recipes health & fitness love & sex family women home & garden fashion environment climate change wildlife energy pollution tech travel UK europe US money property savings pensions borrowing careers science professional networks the observer today's paper obituaries g2 weekend the guide saturday review sunday's paper comment the new review observer magazine membership crosswords blog editor quick cryptic prize quiptic genius speedy everyman azed weekend video podcasts digital archive Culture Stage Theatre stage books music tv & radio art & design film games classical back to top become a supporter make a contribution securedrop solve technical issue advertise with us work for us contact us complaints & corrections terms & conditions privacy policy cookie policy digital newspaper archive all topics all contributors Facebook Twitter 2017 Guardian News and Media Limited or its affiliated companiesShe explained how she didnt want to play her like Dorothy Tutin who she had understudied a few years earlier: I couldnt bear her pleading waiflike-nessDressed in camouflage fatigues, with a diamond stud glittering in his ear, Washington has been hailed by New York audiences as much for his presence as his performance (described by critics as 'sober')She goes on until the 11th hourTaraycnzn javascripti kapaldr! Javascript kapal iken siteyi verimli kullanmanz mmkn deildirI found it all too coy and too cute

State Ralph Fiennes says: 'When I look into the crowd's faces, they are connected, the listening is activeCaesar, Mark Antony, Brutus and Cassius may be poured into many moulds, but will never setWebsite of the Telegraph Media Group with breaking news, sport, business, latest UK and world newsWarner too has a vast crowd of at least 100 at her disposal, but she makes surprisingly little use of them: they pop balloons and party during the feast of Lupercal, but there is little sense of an angry, swirling mob driven to mutiny by Mark Antony's oratory

Ebook, 26 pages Where can I buy this ebook? ISBN: 9781780018881 Imprint:Nick Hern Books Published: 27th April 2017 Category: Acting, Shakespeare books Series: Shakespeare On Stage One was Trevor Nunn's 1972 Stratford production which, thanks to John Wood's mesmerising performance, finally exposed Brutus as a vacillating, tactically hopeless idealist adrift in a world of realpolitikWarner was first to make the connectionSince then he has received many awards for his work on the London stage, and has starred in many successful films and television seriesWe need insights, important truths about the human condition.' At the same time, on the other side of the Atlantic, Oscar-winner Denzel Washington appears to have been in the grip of a similar emotion about the same playWhat am I supposed to find here?' he asks himselfBut I don't know; Condoleezza might be Brutus.' Daniel Sullivan's 'bloody, testosterone-fuelled' production is punctuated by security checksFiennes sees him as 'a bit of a party man' 48a4f088c3


Contents 1 Early years 2 Career 3 TV and filmography 4 Selected theatre 5 Patronage 6 Awards and honours 7 Personal life 8 Further reading 9 References 10 External links ^ "Timely tributes for a new generation of actors"^ "Telegraph Hamlet"Beale first came to the attention of theatre-goers in the late 1980s with a series of lauded comic performances, that were on occasion extremely camp, in such plays as The Man of Mode by George Etherege and Restoration by Edward Bond at the Royal Shakespeare Company (RSC)
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